- Level Foundation
- المدة 35 ساعات hours
- الطبع بواسطة University of Illinois Urbana-Champaign
-
Offered by
عن
Twelve experienced faculty members from across the United States present their analyses of ground-breaking modern American poets in richly illustrated video lectures. The course highlights both major poets"from Walt Whitman and Emily Dickinson through T.S. Eliot, H.D., Amy Lowell, Hart Crane, Langston Hughes, Muriel Rukeyser, and many others"and influential movements. The course mixes historical overview with close readings of individual poets and poems. Most courses give only one instructor's point of view. This one matches the diversity of US poetry with lectures by a score of talented faculty. They bring their special perspective to the material while also presenting a coherent view of more than fifty years of US poetry. Throughout the course the lectures are illustrated with vivid images of the events, people, and places mentioned in the poems themselves. Readings by both the poets themselves and experienced faculty highlight the texts. On screen displays of text and quotations make it easy to follow the material. This is a course that takes advantage of the medium to bring you sights and sounds that would be difficult to incorporate in classroom lectures.الوحدات
About the Course
1
Assignment
- Orientation Quiz
1
Videos
- Welcome to Modern American Poetry!
5
Readings
- Syllabus
- How to Pass This Class
- About the Discussion Forums
- Social Media
- Getting to Know Your Classmates
Module 1 Overview
1
Readings
- Module 1 Information
Module 1 Lesson 1: Modern American Poetry, 1899-1950
1
Assignment
- 1.1 Modern American Poetry, 1899-1950
1
Discussions
- 1.1 Discussion
11
Videos
- Modern American Poetry, 1899-1950 (Part 1)
- Modern American Poetry, 1899-1950 (Part 2)
- Modern American Poetry, 1899-1950 (Part 3)
- Modern American Poetry, 1899-1950 (Part 4)
- Modern American Poetry, 1899-1950 (Part 5)
- Modern American Poetry, 1899-1950 (Part 6)
- Modern American Poetry, 1899-1950 (Part 7)
- Modern American Poetry, 1899-1950 (Part 8)
- Modern American Poetry, 1899-1950 (Part 9)
- Modern American Poetry, 1899-1950 (Part 10)
- Modern American Poetry, 1899-1950 (Part 11)
1
Readings
- 1.1 Recommended Reading
Module 1 Lesson 2: Walt Whitman and Emily Dickinson: 'A Strange, Uncoupled Couple'
1
Assignment
- 1.2 Walt Whitman and Emily Dickinson: 'A Strange, Uncoupled Couple'
1
Discussions
- 1.2 Discussion
4
Videos
- Walt Whitman and Emily Dickinson: 'A Strange, Uncoupled Couple' (Part 1)
- Walt Whitman and Emily Dickinson: 'A Strange, Uncoupled Couple' (Part 2)
- Walt Whitman and Emily Dickinson: 'A Strange, Uncoupled Couple' (Part 3)
- Walt Whitman and Emily Dickinson: 'A Strange, Uncoupled Couple' (Part 4)
1
Readings
- 1.2 Recommended Reading
Module 1 Lesson 3: Native American Poetry from the 1890s to 1930
1
Assignment
- 1.3 Native American Poetry from the 1890s to 1930
1
Discussions
- 1.3 Discussion
2
Videos
- Native American Poetry from the 1890s to 1930 (Part 1)
- Native American Poetry from the 1890s to 1930 (Part 2)
1
Readings
- 1.3 Recommended Reading
Module 1 Lesson 4: Hart Crane's The Bridge
1
Assignment
- 1.4 Hart Crane's The Bridge
1
Peer Review
- Module 1 Discussion Peer Review
1
Discussions
- 1.4 Discussion
5
Videos
- Hart Crane's The Bridge (Part 1)
- Hart Crane's The Bridge (Part 2)
- Hart Crane's The Bridge (Part 3)
- Hart Crane's The Bridge (Part 4)
- Hart Crane's The Bridge (Part 5)
1
Readings
- 1.4 Recommended Reading
Module 2 Overview
1
Readings
- Module 2 Information
Module 2 Lesson 1: Modernist Women's Poetry and the Sentimental Tradition
1
Assignment
- 2.1 Modernist Women’s Poetry and the Sentimental Tradition
1
Discussions
- 2.1 Discussion
6
Videos
- Modernist Women's Poetry and the Sentimental Tradition (Part 1)
- Modernist Women's Poetry and the Sentimental Tradition (Part 2)
- Modernist Women's Poetry and the Sentimental Tradition (Part 3)
- Modernist Women's Poetry and the Sentimental Tradition (Part 4)
- Modernist Women's Poetry and the Sentimental Tradition (Part 5)
- Modernist Women's Poetry and the Sentimental Tradition (Part 6)
1
Readings
- 2.1 Recommended Reading
Module 2 Lesson 2: Marianne Moore: Syllabics
1
Assignment
- 2.2 Marianne Moore: Syllabics
1
Discussions
- 2.2 Discussion
5
Videos
- Marianne Moore: Syllabics (Part 1)
- Marianne Moore: Syllabics (Part 2)
- Marianne Moore: Syllabics (Part 3)
- Marianne Moore: Syllabics (Part 4)
- Marianne Moore: Syllabics (Part 5)
1
Readings
- 2.2 Recommended Reading
Module 2 Lesson 3: Women's Poetry, Modernism, and Classical Myth
1
Assignment
- 2.3 Women’s Poetry, Modernism, and Classical Myth
1
Discussions
- 2.3 Discussion
5
Videos
- Women's Poetry, Modernism, and Classical Myth (Part 1)
- Women's Poetry, Modernism, and Classical Myth (Part 2)
- Women's Poetry, Modernism, and Classical Myth (Part 3)
- Women's Poetry, Modernism, and Classical Myth (Part 4)
- Women's Poetry, Modernism, and Classical Myth (Part 5)
1
Readings
- 2.3 Recommended Reading
Module 2 Lesson 4: 'A Cessation of Resemblances': Stein / Picasso / Duchamp
1
Peer Review
- Module 2 Discussion Peer Review
1
Discussions
- 2.4 Discussion
3
Videos
- 'A Cessation of Resemblances': Stein / Picasso / Duchamp (Part 1)
- 'A Cessation of Resemblances': Stein / Picasso / Duchamp (Part 2)
- 'A Cessation of Resemblances': Stein / Picasso / Duchamp (Part 3)
1
Readings
- 2.4 Recommended Reading
Module 3 Overview
1
Readings
- Module 3 Information
Module 3 Lesson 1: Rethinking High Modernism
1
Assignment
- 3.1 Rethinking High Modernism
1
Discussions
- 3.1 Discussion
5
Videos
- Rethinking High Modernism (Part 1)
- Rethinking High Modernism (Part 2)
- Rethinking High Modernism (Part 3)
- Rethinking High Modernism (Part 4)
- Rethinking High Modernism (Part 5)
1
Readings
- 3.1 Recommended Reading
Module 3 Lesson 2: "Tomorrow . . . who knows?": The Futures of Harlem Renaissance Poetry
1
Assignment
- 3.2 “Tomorrow . . . who knows?”: The Futures of Harlem Renaissance Poetry
1
Discussions
- 3.2 Discussion
4
Videos
- "Tomorrow . . . who knows?": The Futures of Harlem Renaissance Poetry (Part 1)
- "Tomorrow . . . who knows?": The Futures of Harlem Renaissance Poetry (Part 2)
- "Tomorrow . . . who knows?": The Futures of Harlem Renaissance Poetry (Part 3)
- "Tomorrow . . . who knows?": The Futures of Harlem Renaissance Poetry (Part 4)
1
Readings
- 3.2 Recommended Reading
Module 3 Lesson 3: The Political 1930s
1
Assignment
- 3.3 The Political 1930s
1
Discussions
- 3.3 Discussion
5
Videos
- The Political 1930s (Part 1)
- The Political 1930s (Part 2)
- The Political 1930s (Part 3)
- The Political 1930s (Part 4)
- The Political 1930s (Part 5)
1
Readings
- 3.3 Recommended Reading
Module 3 Lesson 4: Tradition and the Folk in Sterling Brown's Poetry
1
Assignment
- 3.4 Tradition and the Folk in Sterling Brown's Poetry
1
Peer Review
- Module 3 Discussion Peer Review
1
Discussions
- 3.4 Discussion
2
Videos
- Tradition and the Folk in Sterling Brown's Poetry (Part 1)
- Tradition and the Folk in Sterling Brown's Poetry (Part 2)
1
Readings
- 3.4 Recommended Reading
Module 4 Overview
1
Readings
- Module 4 Information
Module 4 Lesson 1: Developing the Cultural Epic
1
Assignment
- 4.1 Developing the Cultural Epic Quiz
1
Discussions
- 4.1 Discussion
5
Videos
- Developing the Cultural Epic: From Eliot’s Cultural Elegy to Rukeyser’s Documentary Testament (Part 1)
- Developing the Cultural Epic: Eliot and Crane: Expanding the Terrain of the Modernist Epic (Part 2)
- Developing the Cultural Epic: "The Tunnel": Contesting Eliot (Part 3)
- Developing the Cultural Epic: Muriel Rukeyser's Theory of Flight (Part 4)
- Developing the Cultural Epic: Muriel Rukeyser's Documentary Testament (Part 5)
1
Readings
- 4.1 Recommended Reading
Module 4 Lesson 2: The Image of the City in Pre-war Poetry
1
Assignment
- 4.2 The Image of the City in Pre-War Poetry
1
Discussions
- 4.2 Discussion
3
Videos
- The Image of the City in Pre-war Poetry (Part 1)
- The Image of the City in Pre-war Poetry (Part 2)
- The Image of the City in Pre-war Poetry (Part 3)
1
Readings
- 4.2 Recommended Reading
Module 4 Lesson 3: Little Magazines
1
Assignment
- 4.3 Little Magazines
1
Discussions
- 4.3 Discussion
3
Videos
- Little Magazines (Part 1)
- Little Magazines (Part 2)
- Little Magazines (Part 3)
1
Readings
- 4.3 Recommended Reading
Module 4 Lesson 4: Three Meta-Poems: Emily Dickinson, Wallace Stevens, and Harryette Mullen
1
Peer Review
- Module 4 Discussion Peer Review
1
Discussions
- 4.4 Discussion
4
Videos
- Introduction
- Emily Dickinson's "We Learned the Whole of Love"
- Wallace Stevens's "Large Red Man Reading"
- Harryette Mullen's "Sleeping with the Dictionary"
1
Readings
- 4.4 Recommended Reading
The Symposium
1
Peer Review
- The Symposium: Peer Review
2
Readings
- The Symposium Overview
- The Symposium: Additional Information for Video Submissions
Auto Summary
Discover "Modern American Poetry," an engaging Coursera course in Arts & Humanities. This foundation-level course, led by twelve experienced faculty members, explores key poets and movements from Walt Whitman to Langston Hughes. Through richly illustrated video lectures, historical overviews, and close readings, learners gain diverse perspectives on over fifty years of US poetry. With 2100 minutes of content and multiple subscription options, it's perfect for poetry enthusiasts seeking a comprehensive understanding.

Cary Nelson