- Level Foundation
- Duration 10 hours
- Course by California Institute of the Arts
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Offered by
About
This condensed survey course focuses on four key periods or themes from the history of design in the West. Together we'll trace the emergence of design as a recognized practice, why things look the way they do, and how designers approached specific design problems in their work. Students will develop an understanding of where the wide variety of today's design practice comes from. By participating in this survey of the works of innovative groups and individuals, we outline the process by which graphic design moved from a purely instrumental practice, to becoming a demanding creative and hybridized field. Each week, a short quiz will test your knowledge of concepts, and a short reflective assignment will give you the opportunity to analyze the questions designers ask themselves today. This is an essential course for emerging designers entering the field, or for students interested in learning more about visual culture and analysis. No previous experience is required. A note about this course: This course is taught from the perspective of contemporary design, to connect ideas that helped formulate design practice from the 1850s through the 1960s to the ways that designers think today. The relationship of words and pictures in graphic design is looked at through the ever-changing social and cultural contexts, technologies, aesthetics, and politics of their eras. The definition and practice of graphic design includes all public visual communications, which is a global practice. It was the evolution of mass production and communication in the West that specifically redefined graphic design as a professional practice and is this course's particular narrative. We hope students will consider how to connect the themes and ideas offered in this course to your own culture.Modules
Welcome and Introduction
1
Videos
- Course Introduction
3
Readings
- About This Course
- About the Assignments
- Academic Integrity
How Peer Review Works
3
Videos
- Why Peer Review?
- Peer Review Tips
- How to apply feedback
1
Readings
- What is peer review?
Course Communication Policies
1
Discussions
- Meet and Greet
3
Readings
- Instructor Presence and Staff Support
- Forum Guidelines
- Requesting Peer Reviews
The Victorian Era
5
Videos
- Introduction to Early Mass Marketing
- Form Follows Function
- A Democratization of Choice
- A Revival of Styles
- Style Mash-up
Victorian Typography
1
Videos
- An Exaggeration of Type
1
Readings
- The Designer's Toolbox: Wood Type
The Age of Advertising
4
Videos
- Branding
- A Household Name
- Text and Image
- "Words doing the work"
Week 1 Review
1
Assignment
- Week 1 Quiz
1
Peer Review
- Connecting the Past to the Present
Introduction
1
Videos
- Introduction to The Bauhaus
1
Readings
- Week 2 Resources
The Bauhaus 1919-33
3
Videos
- Founding the Bauhaus
- The Foundation Year
- The Bauhaus and Architecture
Key Figures
3
Videos
- Klee, Schlemmer & Albers
- László Moholy-Nagy
- Herbert Bayer
Design Forms
4
Videos
- Color & Image
- Textiles & Ceramics
- Typography
- Publications
Week 2 Review
1
Assignment
- Week 2 Quiz
1
Peer Review
- A Designer's Tools, Now and Then
Introduction
1
Videos
- Introduction to Modernism in America
1
Readings
- Week 3 Resources
Lester Beall
4
Videos
- The Bauhaus Influence
- A Symbolic Language
- Case Study: Scope Magazine
- Developing Corporate Identities
Alvin Lustig
2
Videos
- A New Subjectivity
- Case Study: Fortune Magazine
Paul Rand
5
Videos
- Play and Humor
- Case Study: The Mechanized Mule Brochure
- Duality & Simplicity
- Case Study: El Producto Cigars
- Rand’s Logo Designs
William Golden
1
Videos
- A Clear Identity
Week 3 Review
1
Assignment
- Week 3 Quiz
1
Peer Review
- Symbolic Forms
Introduction
1
Videos
- Introduction to Graphic Design Radicalism
1
Readings
- Week 4 Resources
Swiss Design
6
Videos
- The Objectivity of Swiss Design
- Incorporating Abstraction
- Josef Mueller-Brockmann
- The Grid
- Emil Ruder
- Compositional Strategies
1
Readings
- The Designer's Toolbox: Four-color Printing
Pushpin
3
Videos
- The Subjectivity of Push Pin
- Milton Glaser
- “The South”
Psychedelics and the Diggers
2
Videos
- The Psychedelic Poster and Looking to the Past
- The Diggers
2
Readings
- The Designer's Toolbox: "Psychedelic" Effects
- The Designer's Toolbox: Gestetner Machine
Sister Corita Kent
2
Videos
- Sister Corita’s Aesthetics
- Sister Corita’s Politics
1
Readings
- The Designer's Toolbox: Screen Printing
Week 4 Review
1
Assignment
- Week 4 Quiz
1
Peer Review
- Graphic Design Subcultures Today
Auto Summary
"**Ideas from the History of Graphic Design**" is a captivating course offered under the Arts & Humanities domain, designed for those eager to delve into the evolution of graphic design in the Western world. Taught by Coursera, this foundational course spans 600 minutes of engaging content, exploring pivotal periods and themes that have shaped contemporary design practices. Led by expert instructors, this course takes a unique approach by examining the relationship between words and images within the shifting contexts of social, cultural, technological, aesthetic, and political changes from the 1850s to the 1960s. Students will gain insights into how graphic design transitioned from a functional craft to a dynamic and innovative field, influencing today's diverse design practices. Each week, participants will reinforce their learning with short quizzes and reflective assignments, encouraging them to analyze current design questions and trends. This course is ideal for emerging designers entering the field, as well as students interested in visual culture and analysis. No prior experience in graphic design is required, making it accessible to a broad audience. Learners can choose from various subscription options, including Starter, Professional, and Paid plans, to access this rich and informative course. Whether you're looking to enhance your understanding of design history or seeking inspiration for your own creative work, this course offers a comprehensive and thought-provoking journey into the world of graphic design.

Louise Sandhaus

Lorraine Wild